He comes bearing gifts for a nation-Jai Ho!

February 26, 2009 at 5:45 pm | Posted in Seen and Scene | Leave a comment
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I thought they were going to kill him. As I was pushed toward the gate of his house and a Headlines Today microphone jammed into my face, I thought they were going to kill the two-time Oscar winner.

I was standing outside A.R. Rahman’s house at 2 a.m. along with a mob of media persons, musicians, and crazy fans. Drums echoed beats of Jai Ho and the crowd moshed in response as we all waited excitedly for the maestro to return home from L.A.

I only have two days left at my internship so the bureau chief had asked me earlier yesterday afternoon if I would be interested being “part of the coverage” of Rahman’s return home to Chennai. I was thrilled and I agreed immediately.

Around midnight we set off for Rahman’s house. When I got there the first thing I noticed was that the crowd consisted primarily of men. I walked up closer to where the action was and heard music blaring from the speakers: Jai Ho….over and over again of course. At this point it was just a matter of waiting around until Rahman arrived outside his gate, to be greeted by welcome-home party. His flight wasn’t even supposed to land until 1:15. So we waited….

My hair stuck flat to my head from the sweat and my kurta top was already drenched with moisture. We were all standing one next to the other with no room to move, with the reporters and police officers closest to the gate.

By the sudden surge of excitement–movement, camera flashes and crescendo of music and drum roll, I could tell that Rahman’s SUV must have pulled up. And after that it all turned surreal….

Hands went everywhere. The Headlines Today microphone rammed into my mouth and immediately I tasted salt on my throbbing lip. I was jolted toward and through the gate with such a force that suddenly, I didn’t care anymore about whose hands felt where, but only that I somehow got out of the crowd uninjured, or at the very least, alive.

And then my eye caught him. He was wearing a black sports coat–I think–and was being pushed, pushed from all sides with such pressure that I thought he would crumble under the weight of everyone huddling around him. His lips were tightly shut but in a half smile, as if to say, “Well, yep, I guess I’m definitely back in India.” But what struck me is that he wasn’t angry. He didn’t yell back at anyone to stop pushing. He didn’t threaten to have anyone arrested. He didn’t shoo away the one-track-minded reporters who kept snapping away shots and protruding mics in his face. He literally just ploughed through the crowd to the safety of his home, where, still, reporters followed him regardless (including my very own bureau chief). And then all I could think of was how Rahman had just traveled from the other side of the world, two Oscars in hand, and was not even given the chance to just come home and sleep peacefully. For a moment, I actually felt sorry for him.

Twenty minutes later, my bureau chief stumbled out of Rahman’s house saying he got the first interview. But we couldn’t head back to the office to edit the tape, lest we get killed by the mob of rabid fans still outside the gate. So we waited some more…

Finally, at around 3:30, Rahman himself braved the throng to step JUST outside his gate to say he was humbled by the warm welcome and that he would still be there for anyone to visit him at another time. With that, he bade everyone good night and told them to please go home. What a guy, I thought. Although he had won two Oscars in L.A., he had come back to Chennai as the same humble Rahman we all know and love.

Around 4 a.m. my bureau chief and I got back into the car to finally call it a night. I was worn. My bureau chief turned his head to the back seat:

“So, now you got a taste of Indian journalism, eh? Good. Now you know what we deal with all the time,” he said.

All I could reply with was, “Yes sir, I can now say I definitely got a feel for what journalism is in India.”

Slumdog Millionaire not one in a million

February 1, 2009 at 5:40 am | Posted in Reviews | Leave a comment
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Four Golden Globe awards, a sweep at the Screen Actors Guild Awards and 10 Oscar nominations….that was it — I couldn’t handle the suspense any longer. I had to find out for myself just what the hullabaloo was all about. My verdict: average.

The rags to riches fairy tale is one that I’ve seen time and time again. So what’s the fuss about? It certainly isn’t the implausible story. An uneducated boy who happens to pull from his past experiences in the slums, answers every question right on a game show to win Rs. 20 million and reunites with his childhood sweetheart. Give me a break. As the story progressed I kept waiting….waiting for the earth-shattering scene that was really going to mark this movie’s greatness–it never happened.

Indians for the most part are definitely thrilled about the recognition A.R.Rahman has received as music director for this film. But even his score is not one to marvel over. Sure it’s good, I’m not saying I won’t play the soundtrack on “repeat” once I buy it (as I do with all the cd’s I buy). However, Rahman has produced even better music for films like Dil Se or his patriotic release Vande Maataram….so I’m still puzzled by the recognition he received for his work on this film, after over 10 years of producing unrivaled music.

Is it the foreign director? the artistic cinematography? the talented young actors or the slovenly state of Mumbai slums that’s captivating so many? Regardless, I still didn’t find any one aspect worth all the ridiculous hype this film is receiving.

The West is raving and the Indians are scathing. So where do the desis stand? Personally (and I have a feeling my view reflects those of many other desis), I think both sides are being ridiculous. We know there are many more deserving movies, but at the same time, I think the Indians need to stop being so sensitive to the portrayal of slum scenes or take offense to the realities of India. I’m in no way saying this is all India has to offer. Of course India is a land of rich culture and wealth. But it IS a facet which shouldn’t be ignored. As for those Indians who have written countless letters to newspaper editors, or those Bollywood actors who feel this is the West’s way to Indians as savage as India strengthens as a world power….give it a rest. There are several films made by Americans revealing the horrors of life in the ghettos and such. Moreover, your insecurities only make the West stronger, so take pride in India’s rich culture and history, and fix what ought to be fixed.

I don’t think this movie should be taken as critical social commentary or even as a magnum opus from an artistic perspective.

It’s just a movie people, so quit getting your loincloths in a twist over it.

At IBN: excerpts from my internship diary

January 12, 2009 at 3:37 pm | Posted in At work | 1 Comment
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I spent about an hour just looking through the various newspaper the office gets, reading up on Chennai news, trends, etc. Then the entertainment reporter came in and said she was off to a shoot, to get a reaction from percussionist Sivamani and rapper Blaaze because Rahman had won 4 Golden Globe awards for his work in Slumdog Millionaire. At first when she said it she said, “Yeah, I may also get blase’’” and I thought she meant the WORD blase’ so I wondered: “Why would she get bored, indifferent, casual about her job?” and then later she told me Blaaze’ wasn’t a word, but the name a of a person, a rapper.

So we drove over to the Taj Connemara hotel. It was gorgeous. It took a few minutes to arrange a shooting location that was both pretty, had good lighting for camera and that didn’t have a lot of people around, because I think this drum player didn’t really want too much attention. He finally came out carrying a wooden box with a hole in it. I didn’t understand what it was until we started rolling and he started drumming his fingers on it making music. He made up a little jingle sort of thing, congratulating AR Rahman on his Golden Globe award. We asked him a few questions about what it was like to work on Slumdog Millionnaire’s soundtrack with Rahman. yada yada. He was really easy going and that always makes it so much easier to interview someone.

From there we went to an apartment complex. It would like any ole’ Indian anybody would leave there. We went up to the third floor where the rapper Blaaze’ was staying. Again, we asked him the same kind of questions.

He was dressed like a rapper. I’m talking, major BLING BLING. He had on the baggiest chaddis (shorts), a sweatshirt. a cap….and yet, he was wearing kumkum on his forehead like a traditional Hindu. He had his family there, his two little kids running around, photos of Hindu gods and goddesses all over the house, the smell of traditional south Indian food wafting through….everything was so normal, and meanwhile there was this guy looking like an American rapper free styling for the camera. It was crazy. I was struck by the stark contrast.

The icing on the cake: Blaaze told us he would soon be working on an album to popularize the Thirrukurral verses. He said the weight of the words written by poet Thiruvalvar, although written as early as the second century B.C., are still relevant today.

The bling-bling, baggy shorts rapper plans to popularize (don’t worry, not desecrate) the Thirrukurral. I walked out of there speechless.

A culture steeped in timeless respect for the divine– now that’s what I love about India.

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